I've not followed the math, but in notation 6/8 is a duple time with 2 beats per measure. It does not have 6 8th notes; it is not the same as 2 bars of 3/4 or 3/8. In notation (and this is a non-technically correct comment) composers use 6/8 instead of 2/4 to avoid writing lots of triplets. Apparently it is easier for a musician to read 8ths in 6/8 than triplets in 2/4 ... I'm not so sure about that, but that's the "reasoning". Hope this reply isn't too off topic :) On Sat, Mar 13, 2021 at 5:20 AM Jeanette C. <julien_at_mail.upb.de> wrote: > Hey hey, > is there a way to interpret time signatures as quarter notes per minute, > rather than as beats per minute? > > Example: with a time sig of {6 8} at 120 BPM one 8th note lasts 0.5 > seconds, > so that there are 120 8th notes per minute. The metronome I sync to > externally > from my DAW would calculate it so one 8th note lasts 0.25 of a second, so > that > there are 120 quarter notes in one minute. > > One could double the tempo in Midish and use a 6/4 time signature > externally, > but that leaves a small margin for higher tempos. > > This example could possibly be adapted to use a time signature of 3/4, but > I'd > rather like to use 7/8 or 5/8. > > I'd apreciate any suggestions. > > Best wishes and TIA, > > Jeanette > > -- > * Website: http://juliencoder.de - for summer is a state of sound > * Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g > * Audiobombs: https://www.audiobombs.com/users/jeanette_c > * GitHub: https://github.com/jeanette-c > > Our imagination > Taking us to places > We have never been before... <3 > (Britney Spears) > > -- **** Listen to my FREE CD at http://www.mellowood.ca/music/cedars **** Bob van der Poel ** Wynndel, British Columbia, CANADA ** EMAIL: bob_at_mellowood.ca WWW: http://www.mellowood.caReceived on Sat Mar 13 2021 - 18:19:07 CET
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